(Note: While I would absolutely love to write the shit out of this, I’m throwing this up online, to borrow a phrase from music, on my first take. The show was great and I expect to come back to this piece, but I have work at 9 a.m… Additionally, I’ll make no attempt to hide my love for the DTB; this is an editorial style piece.)Yonrico Scott, a large 40-something-year-old black man adorned in African tribal robes stepped forward to the microphone as the crowd of about 2,000 fans listened.
“Allow me to present to you, the hardest working man in New York City, Mr. Derek Trucks!”
Scott, in his deep, booming and serious voice that directly contradicts his often cartoonish expressionism, stated his pride in Derek who’s having a 2009 that will establish him as one of the newest boss guitar mainstays.
“We’re giving New York a treat this week,” said Scott.
Indeed they are. In an era of the unapproachable celebrity, 29-year-old Derek Trucks’ fame is growing rapidly, yet you can still find him playing for $23 on a weeknight in a small theatre in a small town. Tonight, it’s Montclair, NJ.
(Note: The aura I’m talking about is further exemplified by the fact that for the second time in as many months, I happened to bump into one of the band members, hours before the show just casually strolling outside the venue. Mike Mattison at Feb. 23 Blender Theatre and Kofi Burbridge tonight) But don’t let their casualness fool you. This band is the real deal.
(Derek (left) with Todd Smallie on stage in Montclair)For the past two weeks, Trucks has been part of one of the greatest runs of concerts ever, rocking Broadway’s Beacon Theatre, as the Allman Brothers Band celebrated their 40th anniversary and played host to the likes of Eric Clapton, Taj Mahal, Levon Helm, Buddy Guy and so many more.
Since 1988 (, excluding 2008 when Gregg Allman’s health forced a cancellation) the Allman Brothers and fans have enjoyed a month long residency at the Beacon. Derek joined the band as a full time member in 1999 at just 19-years-old.
For me the connection is personal. As a 13-year-old child in 1998 I attended one of my first concerts after I won the ticket by default on a family vacation in Cape Cod. It was an Allman Brothers show at the Great Woods in Manchester Ma (?) and “The Derek Trucks Band” was the opener.
Much to do was made over this 18-year-old kid, who was a strong five years my elder. I could not tell you who was in the band then. But I remember, beside for Derek, they sounded a lot different from the band I love today.
My friends Joe Girard, Jimmy Christie and my dad provided me with many opportunities to see the Allman’s beacon’s runs, but additionally I always made it to see Derek when he passed through town.
I saw the band play for free in a park in Albany in 2004. I saw the band play at an old movie theater in Paramus, NJ just before it was torn down. While at Marist I caught his band twice in Poughkeepsie. The list goes on.
And as I watched, an amazing thing happened right in front of my eyes. As I grew older, Derek’s band grew stronger. Always anchored by Scott and bassist Todd Smallie, I saw and listened, much to my delight, as the pieces continued to fall into place. Kofi Burbridge, a dynamic flutist who plays some tasty keys and percussionist Count M’Butu were added. And finally lead singer Mike Mattison.
Not only has bands live show grown leaps and bounds from above average to irreproachable, the quality of their studio output is growing exponentially.
They’re first major label release, ‘Joyful Noise’ was a great album that featured a combination of special guests because Mattison had not yet been found.
‘Songlines’ blew me away. It was the culmination of years of watching the band’s live performances, transcended in the studio like I never thought I’d hear.
Finally their latest, “Already Free” debuted in billboard’s top-25.
After a world tour with Eric Clapton, a great deal of mainstream media coverage and an overwhelmingly successful debut at producing, Trucks is right back on the road again. And I guess I’m just lucky to live close to a place he seems to have an affinity for, New York City.
So in middle of a two week run at NYC’s Beacon Theatre, with one day off from the Allmans this week, the DTB booked the Wellmont gig months in advance.
It comes after years of the same. Light night jams in NYC after beacon shows, anything to get out that music that’s in their hearts. Early morning jams at Manhattan mainstays like Tribeca Blues, the Lion’s Den, Joe Pub, and BB Kings have been common over the years.
(Here's Derek making that SG sing like only he can. More clips linked at the end.)After a week of star studded performance that I missed at the Beacon, I thought we might get some special guests at the Wellmont. Someone told me on the beer line that Robert Randolph was in the house, quietly enjoying the music. Also a Les Paul that looked a lot like something Warren Haynes would play just sat, untouched on stage the entire show.
In the end there were no special guests. No gimmicks, just straight forward DTB. And I loved every second of it.
TO SEE DEREK WHEN THE BAND WALKE ONTO THE STAGE FOR THE FIRST TIME,
CLick HERETO SEE THE ENCORE, "ALREADY FREE,"
CLICK HERE!